Marquette Street

Chapter 2 Justin | November 20, 2025

A Card with Edges

Chapter Approved: The current text demonstrates excellent continuity with the previous text. The theme of unexpected opportunities arising from seemingly mundane situations is maintained and developed further. The tone remains light and humorous, with a touch of whimsy that complements the previous narrative style. The narrative flow is smooth, with the current text picking up directly from where the previous text left off. Eddie's character is consistently portrayed, with his self-deprecating humor and accident-prone nature carrying through. The introduction of Violet Desmarais and the concept of her scouting for authentic New Orleans personalities for television is a natural progression of the story. It builds on the idea of Eddie's cart accident leading to a surprising turn of events. The new elements introduced, such as the business card, the parasol, and the mention of television, all make sense within the context of the story. They expand on the initial encounter and set up a new opportunity for Eddie, which aligns well with the tone and theme of the previous text. There are no breaks in logic or narrative structure. The story seamlessly transitions from the previous text to the current one, maintaining consistency in character, setting, and plot direction. Overall, the continuity is excellent, with the current text effectively building on and enhancing the story established in the previous text.
Eddie tucked the gold-edged business card into the breast pocket of his apron, where it sat like a secret he wasn’t sure he was responsible enough to keep. He didn’t look at it again for hours—not because he wasn’t curious, but because Eddie had the genuine talent of forgetting important things whenever there were customers, pigeons, or his own thoughts to distract him.

By late afternoon, the park had thinned out. The street musicians drifted into more shaded corners, the artists folded up their easels, and Eddie finally leaned against his cart to catch his breath. With a soft crinkle, the card reminded him of its existence.

He pulled it out carefully, squinting at the embossed lettering:
VIOLET DESMARAIS — EXECUTIVE PRODUCER
Below that was a logo he didn’t recognize—something involving a trumpet, a film reel, and what might’ve been an alligator, though Eddie hoped it wasn’t an alligator because that made no sense to him.

“Producer… of what?” he murmured.

A voice behind him answered, “Television, darling. Movies sometimes. Big ideas all the time.” Eddie yelped and nearly dropped the entire cart. Violet Desmarais herself had reappeared, carrying a parasol this time because apparently she was the type of woman who accessorized even her entrances.

“Oh good,” she said breezily. “You didn’t throw it away.”

Eddie blinked at her. “You—you came back.”

“I did,” she replied, glancing at the cart. “And I see the mustard dispenser still sounds like someone stepping on a duck.”

“That’s just her way of sayin’ hello,” Eddie said defensively. Then, after a pause: “Ma’am, I still don’t rightly understand what you want with me.”

Violet clasped her hands in front of her. “I’m scouting for authentic personalities for a new show. Real New Orleans folks with charm—and you, Mr. Marquette, accidentally flinging baked goods with the grace of a circus cannon, caught my attention.”

Eddie stared. “You… want me on television?”

She gave him a smile so elegant it should’ve been trademarked. “Potentially. At the very least, I want to talk to you. Come to the studio tomorrow morning. Let’s see if fate meant something by today’s little whirlwind.”

Eddie’s heart thumped in a confused, echoing rhythm. “But—ma’am—television people don’t usually pick hotdog men who fall over their own carts.”

“Oh, darling,” she said with a wink, “those are exactly the people we want.”

With that, Violet glided away once more, parasol spinning above her like a pastel halo. Eddie remained frozen for a moment, the business card clutched between two mustard-stained fingers.

Finally, he whispered to no one in particular, “Lord help me… what did I trip into now?”